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","transparency","2024-03-05T08:15:22.191Z","2024-10-24T08:10:50.247Z","2024-03-05T08:15:23.127Z",{"id":1135,"i18n_string_en":1129,"i18n_string_es":1136,"i18n_string_ca":1137},211,"Transparencia","Transparència",{"id":1139,"i18n_slug_en":1130,"i18n_slug_es":1140,"i18n_slug_ca":1140},53,"transparencia",{"id":1142,"attributes":1143},10,{"title":1144,"slug":1145,"include_anchors":103,"createdAt":1146,"updatedAt":1147,"publishedAt":1148,"titles":1149,"slugs":1151},"Legal","legal","2024-03-05T08:15:34.200Z","2024-06-18T14:07:31.572Z","2024-03-05T08:15:34.900Z",{"id":1150,"i18n_string_en":1144,"i18n_string_es":1144,"i18n_string_ca":1144},212,{"id":1152,"i18n_slug_en":1145,"i18n_slug_es":1145,"i18n_slug_ca":1145},54,[1154,1208,1258,1308],{"id":62,"label":1155,"labels":1156,"links":1159},"About Manifesta 15",{"id":1157,"i18n_string_en":1155,"i18n_string_es":1158,"i18n_string_ca":1158},198,"Sobre Manifesta 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Page",{"data":19},{"data":19},{"data":19},{"data":19},{"data":19},{"data":19},{"data":19},{"id":1352,"i18n_string_en":1353,"i18n_string_es":1354,"i18n_string_ca":1355},2522,"Subscribe to our newsletter","Subscríbete a nuestro boletín","Subscriu-te al nostre butlletí",{},{"data":1358,"meta":1376},{"id":62,"attributes":1359},{"title":1360,"createdAt":1361,"updatedAt":1362,"titles":1363,"descriptions":1367,"page_entries":1371},"Cookie consent ","2024-03-05T11:49:04.748Z","2024-03-05T12:49:56.995Z",{"id":1364,"i18n_string_en":1360,"i18n_string_es":1365,"i18n_string_ca":1366},213," Consentimiento de cookies"," Consentiment de cookies",{"id":777,"i18n_richtext_en":1368,"i18n_richtext_es":1369,"i18n_richtext_ca":1370},"\u003Cp>Our website uses cookies to distinguish you from other users of our site. This helps us to provide you with a good experience and, with your consent, helps us improve our website. For more details, see our cookies policy.\u003C/p>","\u003Cp>Nuestra web utiliza cookies para personalizar su experiencia de navegación. Esto nos permite ofrecerle un mejor contenido y, con su consentimiento, a mejorar nuestro sitio web. Para más información, consulte nuestra política sobre cookies.\u003C/p>","\u003Cp>La nostra web utilitza cookies per personalitzar la seva experiència de navegació. Això ens permet oferir-vos un millor contingut i, amb el seu consentiment, a millorar el nostre lloc web. Per a més informació, consulteu la nostra política sobre cookies.\u003C/p>",{"data":1372},[1373],{"id":1142,"attributes":1374},{"title":1144,"slug":1145,"include_anchors":103,"createdAt":1146,"updatedAt":1147,"publishedAt":1148,"titles":1375},{"id":1150,"i18n_string_en":1144,"i18n_string_es":1144,"i18n_string_ca":1144},{},{"data":1378,"meta":1460},[1379],{"id":1380,"attributes":1381},40,{"title":1382,"include_anchors":103,"titles":1383,"slugs":1386,"introductions":19,"blocks":1390,"seo":1445},"Conceptual Framework",{"id":1384,"i18n_string_en":1382,"i18n_string_es":19,"i18n_string_ca":1385},2357,"Marc Conceptual",{"id":1387,"i18n_slug_en":1388,"i18n_slug_es":19,"i18n_slug_ca":1389},770,"conceptual-framework","marc-conceptual",[1391,1397,1402,1406,1410,1414,1418,1422,1426,1430,1434,1438,1441],{"id":1392,"__component":1393,"i18n_richtext_en":1394,"i18n_richtext_es":19,"i18n_richtext_ca":1395,"view_option":1396},1646,"blocks.text","\u003Cp>Manifesta 15 Barcelona Metropolitana, the European Nomadic Biennial, will celebrate its 15th edition from the 8\u003Csup>th\u003C/sup> of September until the 24\u003Csup>th\u003C/sup> of November, 2024\u003Cstrong>.\u003C/strong> Known for its innovative approach to exploring urgent global issues through art\u003Cstrong> \u003C/strong>and architecture, Manifesta 15 will focus on the metropolitan environment\u003Cstrong>,\u003C/strong> addressing pressing concerns such as climate change, social inequalities and economic injustices\u003Cstrong>.\u003C/strong> \u003C/p>\u003Cp>The biennial will serve as a platform for artistic reflection and action, showcasing diverse perspectives on these crucial challenges. It will expand far beyond Barcelona's iconic city centre, incorporating the natural boundaries of mountains, rivers, and the sea to explore the metropolitan region's interconnectedness. Manifesta 15 aims to be a catalyst for\u003Cstrong> \u003C/strong>positive change, using urban and artistic interventions\u003Cstrong> \u003C/strong>to identify and address urgent needs for social and ecological transformation\u003Cstrong>.\u003C/strong> \u003C/p>\u003Cp>Renowned architects, artists, researchers, and urbanists will participate in this edition, focussing on the region's opportunities for decentralised structure, natural resources and mobility networks\u003Cstrong>.\u003C/strong>  \u003C/p>\u003Cp>Manifesta 15 deviates from the centre of Barcelona and brings together the 11 surrounding cities in the metropolitan region, aiming to create a cohesive cultural infrastructure whilst exploring eco-social issues that challenge dominant global narratives.  \u003C/p>","\u003Cp>La quinzena edició de la Biennal Nòmada Europea, Manifesta 15 Barcelona Metropolitana, se celebrarà del 8 de setembre al 24 de novembre del 2024. Coneguda per la seva aproximació innovadora a l’hora d’analitzar qüestions urgents d’actualitat a través de l’art i l’arquitectura, Manifesta 15 se centrarà en l’entorn metropolità, tractant temes crítics com el canvi climàtic, les desigualtats socials i les injustícies econòmiques. \u003C/p>\u003Cp>La biennal servirà de plataforma crítica per a la reflexió i acció artístiques, mostrant perspectives diverses sobre aquests reptes importants. S’estendrà més enllà del centre de Barcelona tot incorporant les barreres naturals de les muntanyes, els rius i el mar per tal d’explorar la interconnexió de la regió metropolitana. Manifesta 15 vol ser la catalitzadora d’un canvi positiu, emprant les intervencions urbanes i artístiques per identificar i tractar la necessitat urgent d’una transformació social i ecològica. \u003C/p>\u003Cp>Reconeguts arquitectes, artistes, investigadors i urbanistes participaran en aquesta edició, i se centraran en les oportunitats que té la regió per arribar a una estructura, una xarxa de mobilitat i uns recursos naturals descentralitzats. \u003C/p>\u003Cp>Manifesta 15 surt del centre de Barcelona i incorpora les onze ciutats de la regió metropolitana amb la intenció de crear una infraestructura cultural cohesionada mentre s’analitzen aspectes ecosocials que qüestionen les narratives globals dominants. \u003C/p>","default",{"id":1398,"__component":1399,"i18n_string_en":1400,"i18n_string_es":19,"i18n_string_ca":1401},88,"blocks.heading","Pre-biennial collective research format shaped the conceptual framework of Manifesta 15 ","El format d’investigació col·lectiva de la fase prebiennal ha donat forma al marc conceptual de Manifesta 15 ",{"id":1403,"__component":1393,"i18n_richtext_en":1404,"i18n_richtext_es":19,"i18n_richtext_ca":1405,"view_option":1396},1645,"\u003Cp>Manifesta 15 takes on the challenge of expanding from a city perspective to a regional scale of more than 5 million inhabitants in the commitment to develop a decentralised and collaborative approach to cultural and knowledge production. The year of pre-biennial research conducted across the region by 10 commissioned local and international researchers and artistic collectives resulted in the surfacing of site-specific thematic components.\u003Csup>1\u003C/sup>  These include themes such as growth and degrowth, the custody of the environment, healing and repairing, as well as identifying the ecological and social transformations needed in the interconnected nodes mapped by the Manifesta 15 team: along the Besòs river, the Llobregat delta and the Collserola mountain range. This research emerged from a collaborative process involving workshops, community programmes, scientific investigation, and archival studies on topics ranging from historical pedagogical movements to eco-feminism and biodiversity.  \u003C/p>\u003Cp>Manifesta has transformed itself over the past four editions from a pure artistic project into an incubator for social-ecological change. By creating new decentralised processes, both in a geographical sense as well as in a creative mediation sense, the biennial focuses on developing and implementing more democratic collaborations which have a beneficial impact on the inclusion of different voices and the legacy of the biennial. At the same time, Manifesta 15 has commissioned New York-based Spanish architect Sergio Pardo to critically analyse the extensive urban research that has already been conducted about Barcelona spanning the past four decades.  \u003C/p>\u003Cp>The collective pre-biennial research has brought to fruition a conceptual framework in which new forms of interventions, collaboration, activation, and co-production were identified for these regional areas. Manifesta introduced a geographical framework of hubs for interdisciplinary, ecological thinking and cultural production in all the twelve metropolitan regions as a way of working. The ecological aspect of how to thematically connect the 12 cities has become increasingly urgent, especially as Catalonia announced in January 2024 the emergency led by three years of draught and empty water reservoirs. Manifesta 15’s first Creative Mediator Sergio Pardo,\u003Cstrong> \u003C/strong>in his regional analysis, highlighted the environmental implications on our society and the potential of cultural practitioners and the biennial to create positive change: \u003C/p>\u003Cblockquote>\u003Cp>“The health of our democracies hinges largely on how we nurture, activate, and articulate our connection to the environment. This allows us to anticipate pressing demographic and environmental changes in our globalized world. To achieve this, we need new dynamics, innovations, and a kind of \"grounded activism\" that can demand legislative changes. \u003C/p>\u003Cp>Without a vibrant space where people and nature connect – the public space of the city – it's impossible to spark cultural processes for change. Can we, as citizens, promote these changes or, at the very least, participate actively in a new legislative framework through transformative socio-climatic actions? \u003C/p>\u003Cp>It often feels like the sense of \"caring for another\" has faded. When did our human nature stop acting like this? It likely happened over many decades, amidst accelerating changes in every aspect of our lives, while everything became standardized: language, consumption, housing, land commodification, and the dissolution of traditional city boundaries. The logic of change dictates our emotions, making us believe nothing can be different. Social democracies are crumbling, the welfare state is weakening, and this is linked to the challenges democracies face.” \u003C/p>\u003C/blockquote>","\u003Cp>Manifesta 15 assumeix el repte de passar d’una escala de ciutat a una de regional de més de cinc milions d’habitants amb el compromís de desenvolupar un plantejament descentralitzat i col·laboratiu per a la producció de cultura i coneixement. Arran de la recerca prebiennal que han portat a terme en tota la regió un grup d’investigadores i investigadors i col·lectius artístics locals i internacionals per encàrrec de Manifesta s’ha arribat a la creació d’uns nodes temàtics específics per a cada lloc.  S’hi inclouen temes com el creixement i el decreixement, la protecció del medi ambient, la cura i la recuperació, així com també les transformacions ecològiques i socials necessàries als nodes interconnectats que l’equip de Manifesta ha identificat: la llera del riu Besòs, el delta del Llobregat i la serra de Collserola amb el Vallès. Aquesta anàlisi ha sorgit d’un procés col·laboratiu que ha incorporat tallers, programes comunitaris, recerca científica i estudis d’arxius sobre temes que van des dels moviments pedagògics històrics a l’ecofeminisme i la biodiversitat. \u003C/p>\u003Cp>Al llarg de les últimes quatre edicions, Manifesta ha passat de ser purament un projecte artístic a una incubadora per al canvi socioecològic. Mitjançant la creació de nous processos descentralitzats, tant des del punt de vista geogràfic com de mediació, la biennal se centra a desenvolupar i implementar unes col·laboracions més democràtiques que tenen un impacte positiu per la inclusió d’una àmplia diversitat de veus amb el llegat de la biennal. Al mateix temps, Manifesta 15 ha encarregat a Sergio Pardo, arquitecte espanyol arrelat a Nova York, analitzar els estudis urbans existents sobre Barcelona de les últimes quatre dècades. \u003C/p>\u003Cp>La recerca col·lectiva prebiennal ha donat llum a un marc conceptual en el qual s’han identificat noves formes d’intervenció, col·laboració, activació i coproducció per a aquestes àrees regionals. Manifesta ha introduït un marc geogràfic de nodes per a una reflexió interdisciplinària, ecològica i de producció cultural a les dotze ciutats metropolitanes. L’aspecte ecològic de com connectar temàticament les dotze ciutats s’ha tornat cada cop més urgent, sobretot quan Catalunya acaba d’anunciar el gener del 2024 l’emergència per sequera a causa de la manca de pluja dels últims tres anys que ha donat com a resultat la pràctica totalitat d’embassaments buits. El primer mediador creatiu de Manifesta 15, Sergio Pardo, en la seva anàlisi regional, va destacar les implicacions ambientals en la nostra societat i el potencial dels professionals de la cultura i la biennal per generar canvis positius: \u003C/p>\u003Cblockquote>\u003Cp>\u003Ci>«La salut de les nostres democràcies depèn en gran mesura de com nodrim, activem i articulem la nostra connexió amb el medi ambient. Això ens permet preveure els canvis demogràfics i ambientals urgents del nostre món globalitzat. Per aconseguir-ho, necessitem noves dinàmiques, innovacions i una mena d’“activisme fonamentat” que pugui exigir canvis legislatius.\u003C/i> \u003C/p>\u003Cp>\u003Ci>Sense un espai viu on la gent i la natura es connectin –l’espai públic de la ciutat– és impossible desencadenar processos culturals per al canvi. Podem, com a ciutadans, promoure aquests canvis o, si més no, participar activament en un nou marc legislatiu mitjançant accions socioclimàtiques transformadores?\u003C/i> \u003C/p>\u003Cp>\u003Ci>Sovint hi ha la sensació que el fet de “cuidar-nos un de l’altre” s’ha esvaït. Quan ha deixat d’actuar així la naturalesa humana? Probablement ha passat en el transcurs de moltes dècades, enmig dels canvis accelerats en tots els aspectes de les nostres vides, mentre tot s’ha estandarditzat: la llengua, el consum, l’habitatge, la mercantilització de la terra i la dissolució dels límits tradicionals de la ciutat. La lògica del canvi dicta les nostres emocions, fent-nos creure que res no pot ser diferent. Les socialdemocràcies s’esfondren, l’estat del benestar s’afebleix, i això està lligat als reptes als quals s’enfronten les democràcies.»\u003C/i> \u003C/p>\u003C/blockquote>",{"id":1407,"__component":1399,"i18n_string_en":1408,"i18n_string_es":19,"i18n_string_ca":1409},89,"Manifesta 15 takes place in multiple cities, with multiple voices and multiple venues","Manifesta 15 té lloc a diverses ciutats, amb múltiples veus i múltiples seus",{"id":1411,"__component":1393,"i18n_richtext_en":1412,"i18n_richtext_es":19,"i18n_richtext_ca":1413,"view_option":1396},1647,"\u003Cp>Using the collective pre-biennial research as the departure point, the concept of the programme of Manifesta 15 will be developed across three thematic clusters in the metropolitan region. The nodes of the Besòs, the Llobregat delta and Collserola, called to concentrate on the artistic research practices of Manifesta 15, present some particularities that distinguish them from the rest of the territory of the metropolitan area. These are areas that geographically delimit the city and where the great urban transformations that will define the way of life of future generations are taking place. \u003C/p>\u003Cp>The three distinct locations – Besòs, Llobregat, and Collserola, which are distinct from the centre of the metropolis – will transform into expansive \"worktables\" for artists and collectives in Manifesta 15. These nodes represent a deliberate choice to engage with the urgent challenges and contemporary debates shaping the future of cities. Specifically, the nodes will allow an investigation of themes such as the immediate climate emergency, as well as the reactivation of emancipatory social movements, such as collectivism and eco-feminism.  \u003C/p>\u003Cp>Besòs and Llobregat, aligned by rivers and gazing towards the Vallès and the \"lung\" of the metropolis, Collserola mountain, offer a unique canvas for exploring solutions to pressing socio-environmental challenges. This commitment to a periphery often overlooked lies at the heart of Manifesta 15, highlighting the struggles and potential of medium-sized cities facing global issues like climate change, economic disparities, and neocolonial practices. \u003C/p>\u003Cp>The Manifesta 15 clusters bring together projects at multiple venues in multiple cities around three leading themes of the biennial: \u003Ci>Imagining Futures, Cure and Care, \u003C/i>and\u003Ci> Balancing Conflicts\u003C/i>. The journey of each cluster commences at an extraordinary historical venue which symbolises its overarching theme. The monumental Tres Xemeneies (Three Chimneys) located on the coastline in between Barcelona, Sant Adrià de Besòs, Santa Coloma, Mataró and Badalona will host the departure point for the theme of \u003Ci>Imagining Futures. \u003C/i> \u003C/p>","\u003Cp>A partir de la recerca col·lectiva prebiennal, el concepte del programa de Manifesta 15 es desenvoluparà en tres clústers temàtics de la regió metropolitana. Els nodes del Besòs, el delta del Llobregat i Collserola-Vallès seran el centre de les pràctiques de recerca artística de Manifesta 15, i presenten algunes particularitats que els distingeixen de la resta del territori de l’àrea metropolitana. Són zones que delimiten geogràficament la ciutat i on s’estan produint les grans transformacions urbanístiques que definiran la manera de viure de les generacions futures. \u003C/p>\u003Cp>Les tres ubicacions –Besòs, Llobregat i Collserola, diferenciades del centre de la metròpoli– es transformaran en àmplies «taules de treball» per a artistes i col·lectius durant Manifesta 15. Aquests nodes han estat escollits per afrontar els reptes urgents i debats contemporanis que configuren el futur de les ciutats. En concret, els nodes permetran investigar qüestions com l’emergència climàtica immediata, així com la reactivació de moviments socials emancipadors, com el col·lectivisme i l’ecofeminisme. \u003C/p>\u003Cp>Els nodes del Besòs, el Llobregat i Collserola-Vallès, el «pulmó» de la metròpoli, ofereixen un llenç únic per explorar solucions als reptes socioambientals urgents. Aquest compromís amb una perifèria que sovint es passa per alt rau al cor de Manifesta 15, tot destacant les reivindicacions i el potencial de les ciutats mitjanes que s’enfronten a problemes globals com el canvi climàtic, les disparitats econòmiques i les pràctiques neocolonials. \u003C/p>\u003Cp>Els clústers de Manifesta 15 reuneixen projectes en múltiples seus de diverses ciutats al voltant de tres temes principals de la biennal: \u003Ci>Imaginant futurs\u003C/i>, \u003Ci>Cuidar i ser cuidats\u003C/i> i \u003Ci>Equilibrant conflictes\u003C/i>. El viatge de cada clúster comença en un lloc històric extraordinari que simbolitza el seu tema general. Les imponents tres xemeneies situades al litoral entre Barcelona, ​​Sant Adrià de Besòs, Mataró, Santa Coloma i Badalona acolliran el punt de partida del tema \u003Ci>Imaginant futurs\u003C/i>. \u003C/p>",{"id":1415,"__component":1399,"i18n_string_en":1416,"i18n_string_es":19,"i18n_string_ca":1417},90,"MANIFESTA 15 CLUSTERS  ","CLÚSTERS MANIFESTA 15  ",{"id":1419,"__component":1393,"i18n_richtext_en":1420,"i18n_richtext_es":19,"i18n_richtext_ca":1421,"view_option":1396},1648,"\u003Ch2>1. Cluster \u003Ci>Imagining Futures\u003C/i> \u003C/h2>\u003Cp>Main venue: The Three Chimneys (Tres Xemeneies)  \u003C/p>\u003Ch3>THE INDUSTRIAL RUIN AS A SPACE FOR IMAGINATION AND TRANSFORMATION \u003C/h3>\u003Ch3>Context and history \u003C/h3>\u003Cp>The Besòs axis includes the municipalities of Badalona, Montcada i Reixac, Sant Adrià de Besòs, Santa Coloma de Gramenet and the Barcelona districts of Nou Barris, Sant Andreu and Sant Martí. This territory is located along the lower basin of the Besòs River, from the gorge formed by the Coastal Range to its delta plain and mouth at the sea. \u003C/p>\u003Cp>Currently, one million people live in this area, corresponding to 30% of the population of the metropolitan area of Barcelona and 12% of the whole of Catalonia. With an area of more than 80 km2, Besòs is divided into 98 neighbourhoods constituting the most complex and diverse social landscape in all of Catalonia. The lack of an integrated vision of the territory, aggravated by a long history of disorderly urban growth, has made Besòs a fragmented territory, without a defined urban development project. \u003C/p>\u003Cp>Historically, Besòs has suffered from the persistence of high levels of urban vulnerability in certain neighbourhoods, recently aggravated by the impact of the economic crisis and the lack of investment in relation to other metropolitan areas: it concentrates 16 of the 25 most vulnerable neighbourhoods in the area of the metropolis. The existence of processes of exclusion and social segregation has traditionally made it a stigmatised territory. \u003C/p>\u003Cp>However, today’s Besòs is a territory with great potential for the future, due to its centrality and accessibility concerning the great metropolitan region of Barcelona and its potential to become a productive and knowledge corridor, a welcoming space where diversity can be transformed into wealth. \u003C/p>\u003Cp>El Besòs is key in accessing Barcelona from the Maresme and Vallès, and today it constitutes the main entry and exit corridor of the city to the north, which translates into a large concentration of road and railway structures of high strategic value. \u003C/p>\u003Cp>The existence of processes of social segregation has been a scourge that has been reinforced by the polluting footprint that the industry has dumped for decades in the bed of the Besòs river, its delta and the coastline adjacent to its beaches. An industry whose symbol is outlined on the horizon of Barcelona, the Three Chimneys of Sant Adrià. The old thermal power plant made it possible to flow electricity to the entire metropolitan region.  \u003Ci>The Factory\u003C/i>, as many residents called it, achieved an unusual production capacity in thermal power plants of the time, comparable to that of a nuclear power plant. An industrial achievement with its consequent collateral damage, as that concrete giant, now a symbol of the Barcelona skyline, punished its surrounding residents for several decades. \u003Ci>The Factory\u003C/i> made a serious impact on the environment which led to the declaration of Sant Adrià as a \"\u003Ci>contaminated atmospheric zone\u003C/i>\" in 1983. Sant Adrià was the place that suffered the greatest impact, as it was the municipality that took away a good part of the slums in Barcelona, the incineration of waste from the metropolitan area or the largest treatment plant in Europe.  \u003C/p>\u003Ch3>New relational use \u003C/h3>\u003Cp>Standing before the Three Chimneys lies a 2km stretch of coastline. Here, an outdated \"sun and beach\" tourism model presents an opportunity for revitalisation. Envision a new neighbourhood brimming with social housing, diverse economic activity, and a park-delta revitalising the river. At its heart lies a post-industrial ruin, awaiting a transformation filled with new purpose and meaning. \u003C/p>\u003Cp>This revitalisation, together with the nature and history of the region of the Besòs, demands new models built around people's capacity to energise urban spaces, and as such offer an alternative way of imagining futures. It is also a chance to confront Barcelona's colonial past, intertwined with years of booming textile industries – highly polluting enterprises whose wealthy protagonists, despite self-proclaimed \"philanthropy,\" built their fortunes on the slave trade. While seemingly erased, this legacy resurfaces subtly in exploitative labour practices and neocolonial consumption patterns, often disregarding basic human rights. \u003C/p>\u003Cp>The Three Chimneys being the focal point of the Manifesta 15 cluster \u003Ci>Imagining Futures\u003C/i> allows an exploration of urban and social regeneration within the vast space vacated by the power industrial facilities. Embracing creative and transformative eco-social approaches in coastal spaces can strengthen the value the sea holds for Catalonia's residents while promoting initiatives that leverage sustainability, a blue economy, enhanced habitability and greater openness and accessibility to the sea. \u003C/p>","\u003Ch2>1. Clúster \u003Ci>Imaginant futurs\u003C/i> \u003C/h2>\u003Cp>Seu principal: Les tres xemeneies   \u003C/p>\u003Ch3>EL PASSAT INDUSTRIAL COM A ESPAI D’IMAGINACIÓ I TRANSFORMACIÓ \u003C/h3>\u003Ch3>Context i història \u003C/h3>\u003Cp>L’eix Besòs inclou els municipis de Badalona, ​​Montcada i Reixac, Sant Adrià de Besòs, Santa Coloma de Gramenet i els districtes barcelonins de Nou Barris, Sant Andreu i Sant Martí. Aquest territori està situat al llarg de la conca baixa del riu Besòs, des del congost format per la Serralada Litoral fins a la seva plana deltaica i desembocadura al mar. \u003C/p>\u003Cp>Actualment hi viuen un milió de persones, que corresponen al 30 % de la població de l’àrea metropolitana de Barcelona i el 12 % del conjunt de Catalunya. Amb una superfície de més de 80 km2, el Besòs es divideix en 98 barris que constitueixen el paisatge social més complex i divers de tot Catalunya. La manca d’una visió integrada del territori, agreujada per una llarga història de creixement urbanístic desordenat, ha fet del Besòs un territori fragmentat, sense projecte urbanístic definit. \u003C/p>\u003Cp>Històricament, el Besòs ha patit alts nivells continuats de vulnerabilitat urbana en determinats barris, agreujada recentment per l’impacte de la crisi econòmica i la manca d’inversió en relació amb altres àrees metropolitanes: concentra 16 dels 25 barris més vulnerables de l’àrea de la metròpoli. L’existència de processos d’exclusió i segregació social l’ha convertit tradicionalment en un territori estigmatitzat. \u003C/p>\u003Cp>Tanmateix, el Besòs actual és un territori amb un gran potencial de futur, per la seva centralitat i accessibilitat respecte a la gran regió metropolitana de Barcelona i per la seva potencialitat per esdevenir un corredor productiu i de coneixement, un espai acollidor on la diversitat es pot transformar en riquesa. \u003C/p>\u003Cp>El Besòs és clau per accedir a Barcelona des del Maresme i el Vallès, i avui constitueix el principal corredor d’entrada i sortida de la ciutat cap al nord, fet que es tradueix en una gran concentració d’estructures viàries i ferroviàries d’alt valor estratègic. \u003C/p>\u003Cp>L’existència de processos de segregació social ha estat una xacra que s’ha vist reforçada per la petjada de contaminació que la indústria ha abocat durant dècades al llit del riu Besòs, al delta, al litoral i a les platges. Una indústria que té com a símbol ​​les Tres Xemeneies de Sant Adrià, una icona inconfusible al perfil de Barcelona. L’antiga central tèrmica proveïa electricitat a tota la regió metropolitana. La Fàbrica, com l’anomenava el veïnat, va aconseguir una capacitat de producció inusual en les centrals tèrmiques de l’època, comparable a la d’una central nuclear. Un èxit industrial amb els consegüents danys col·laterals, ja que aquell gegant de formigó, ara símbol inconfusible de la silueta de Barcelona, ​​va castigar durant diverses dècades els barris veïns. La Fàbrica va tenir un greu impacte mediambiental que va provocar la declaració de Sant Adrià com a «zona atmosfèrica contaminada» l’any 1983. Sant Adrià va ser el lloc que va patir un impacte més gran, ja que era el municipi que va acollir bona part dels barris marginals de Barcelona, ​​la incineració de residus de l’àrea metropolitana o la depuradora més gran d’Europa.\u003C/p>\u003Ch3>Nou ús relacional \u003C/h3>\u003Cp>Davant de les Tres Xemeneies hi ha un tram de costa de 2 km. Aquí, un model de turisme de «sol i platja» obsolet presenta una oportunitat de revitalització. Imagineu un nou barri ple d’habitatge social, activitat econòmica diversa i un parc-delta que doni nova vida al riu. Al centre trobem un vestigi postindustrial, a l’espera d’una transformació plena de nous propòsits i significats. \u003C/p>\u003Cp>Aquesta revitalització, juntament amb la naturalesa i la història de la comarca del Besòs, exigeix ​​nous models construïts al voltant de la capacitat de les persones per dinamitzar els espais urbans i, com a tal, oferir una manera alternativa d’imaginar futurs. També és una oportunitat per enfrontar-se al passat colonial de Catalunya, ​​entrellaçat amb anys d’indústries tèxtils en auge, empreses altament contaminants propietat d’una classe rica que, malgrat l’autoproclamada «filantropia», van fer la seva fortuna amb el tràfic d’esclaus. Tot i que sembla esvaït, aquest llegat ressorgeix subtilment en pràctiques laborals explotadores i patrons de consum neocolonials, que sovint ignoren els drets humans més bàsics. \u003C/p>\u003Cp>El fet que les Tres Xemeneies siguin el punt central del clúster de Manifesta 15 \u003Ci>Imaginant futurs\u003C/i> permet explorar la regeneració urbana i social dins de l’enorme espai desocupat per les instal·lacions industrials d’energia. Adoptar enfocaments ecosocials creatius i transformadors als espais costaners pot reforçar el valor que el mar té per als residents alhora que promou iniciatives que afavoreixin la sostenibilitat, una economia blava, una millor habitabilitat i una major obertura i accessibilitat al mar. \u003C/p>",{"id":1423,"__component":1393,"i18n_richtext_en":1424,"i18n_richtext_es":19,"i18n_richtext_ca":1425,"view_option":1396},1649,"\u003Ch2>2. Cluster \u003Ci>Cure and Care\u003C/i> \u003C/h2>\u003Cp>Main venue: The Monastery of Sant Cugat del Vallès \u003C/p>\u003Ch3>THE GREAT LUNG OF THE CITY: AN INCUBATOR WHERE TO CARE AND BE CARED FOR \u003C/h3>\u003Ch3>Context and history \u003C/h3>\u003Cp>The Collserola massif forms part of the central sector of the Catalan Coastal Range. The limits are precise: to the east it limits with the Besòs river; to the west, with the Llobregat river; the streams of Sant Cugat and Rubí are the limit on the north-western side, and the plain of Barcelona, on the south. It is called the metropolitan Central Park: it is surrounded by 9 municipalities with almost 2 million inhabitants living along the 190 km\u003Csup>2\u003C/sup> of urban areas and 3.5 million visitors annually.  \u003C/p>\u003Cp>Collserola was declared a natural park in 2010: its almost 8,300 hectares constitute a fundamental system for the ecological functioning of this matrix of open spaces in the metropolis. In addition, it is a huge space of proximity that provides the city with numerous ecosystem services, and at the same time, it is the centre of biodiversity where some 940 species of animals can be found. 66% of its surface is protected habitats. Thanks to the ecosystem processes it hosts, Collserola is a reservoir of health and natural cycles, which substantially improve the quality of life of the citizens of the metropolitan area. \u003C/p>\u003Ch3>Nature as symbolic capital \u003C/h3>\u003Cp>Collserola and the area of el Vallès stands apart from other metropolitan open spaces in its unique juxtaposition of ecological significance and social use. It has a unique identity in the local geography, becoming an irreplaceable space for social use and contact with nature. It plays a vital role in the city's health and metabolic processes, functioning as its lungs and filtering system.  The Monastery of Sant Cugat, with its historic symbol of spirituality, caring, giving and reflection, will be the principal venue for the theme \u003Ci>Cure and Care. \u003C/i> \u003C/p>\u003Ch3>Sant Cugat del Vallès: Monestir de Sant Cugat \u003C/h3>\u003Cp>The Monastery of Sant Cugat is a Benedictine Abbey that was founded in the 9\u003Csup>th\u003C/sup> century. Completed in the 14\u003Csup>th\u003C/sup> century, the monastery, one of the most significant in the region, includes Romanesque, Gothic, Renaissance and Baroque elements. It became an epicentre of power and culture in the 11\u003Csup>th\u003C/sup> century, a time when the monks lived following the Benedictine lifestyle whilst also managing extensive properties in the area. \u003C/p>\u003Cp>Its most notable feature is a Romanesque cloister which dates to the 12\u003Csup>th\u003C/sup> century and houses the Museum of Sant Cugat. With a length of more than 30 metres, it has a square plan with semi-circular arches supported by pairs of columns which present finely decorated capitals.  \u003C/p>","\u003Ch2>2. Clúster \u003Ci>Cuidar i ser cuidats\u003C/i> \u003C/h2>\u003Cp>Seu principal: Monestir de Sant Cugat del Vallès \u003C/p>\u003Ch3>EL GRAN PULMÓ DE LA CIUTAT: UNA INCUBADORA ON CUIDAR I SER CUIDAT \u003C/h3>\u003Ch3>Context i història \u003C/h3>\u003Cp>El massís de Collserola i l’àrea del Vallès formen part del sector central de la serralada litoral catalana. Els límits són precisos: a l’est limita amb el riu Besòs; a l’oest, amb el riu Llobregat; les rieres de Sant Cugat i Rubí són el límit al costat nord-oest, i la plana de Barcelona, ​​al sud. S’anomena parc central metropolità: està envoltat per nou municipis amb gairebé dos milions d’habitants que viuen al llarg dels 190 km2 de nuclis urbans i 3,5 milions de visitants anuals. \u003C/p>\u003Cp>Collserola va ser declarat parc natural l’any 2010: les prop de 8.300 hectàrees constitueixen un sistema fonamental per al funcionament ecològic d’aquesta matriu d’espais oberts a la metròpoli. A més, és un enorme espai de proximitat que dota a la ciutat de nombrosos serveis ecosistèmics i, alhora, és el centre de la biodiversitat on es poden trobar unes 940 espècies d’animals. El 66 % de la seva superfície són hàbitats protegits. Gràcies als processos ecosistèmics que acull, Collserola és una reserva de salut i cicles naturals, que milloren substancialment la qualitat de vida dels ciutadans de l’àrea metropolitana. \u003C/p>\u003Ch3>La natura com a capital simbòlic \u003C/h3>\u003Cp>Collserola i la zona del Vallès es diferencia d’altres espais oberts metropolitans per la seva singular juxtaposició d’importància ecològica i ús social. Té una identitat única en la geografia local i esdevé un espai insubstituïble d’ús social i de contacte amb la natura. Té un paper fonamental en la salut i els processos metabòlics de la ciutat, i funciona com a pulmó i sistema de filtratge. El Monestir de Sant Cugat, amb el seu símbol històric d’espiritualitat, cura, acompanyament i reflexió, serà l’escenari principal del tema \u003Ci>Cuidar i ser cuidats\u003C/i>. \u003C/p>\u003Ch3>Sant Cugat del Vallès: Monestir de Sant Cugat \u003C/h3>\u003Cp>El Monestir de Sant Cugat és una abadia benedictina que va ser fundada al segle ix. Acabat de construir al segle xiv, el monestir, un dels més significatius de la comarca, inclou elements romànics, gòtics, renaixentistes i barrocs. Es va convertir en un epicentre de poder i cultura al segle xi, una època en què els monjos vivien seguint l’estil de vida benedictí mentre gestionaven extenses propietats a la zona. \u003C/p>\u003Cp>La seva característica més destacada és un claustre romànic que data del segle xii i que acull el Museu de Sant Cugat. Amb una longitud de més de 30 metres, és de planta quadrada amb arcs de mig punt sostinguts per parelles de columnes que presenten capitells decorats amb infinitat de detalls. \u003C/p>",{"id":1427,"__component":1393,"i18n_richtext_en":1428,"i18n_richtext_es":19,"i18n_richtext_ca":1429,"view_option":1396},1650,"\u003Ch2>3. Cluster\u003Ci> Balancing Conflicts\u003C/i> \u003C/h2>\u003Cp>Main venue: Casa Gomis/La Ricarda \u003C/p>\u003Ch3>SUSTAINABILITY OR MODERNISATION?  \u003C/h3>\u003Ch3>Context and history \u003C/h3>\u003Cp>The Llobregat Delta area, in which part of the city of Barcelona, El Prat and L'Hospitalet are situated, is an inseparable part of the central urban continuum of the metropolis, as well as of the Delta, understood as a geographical and environmental unit. Like all the major deltas of the Mediterranean, it has great ecological value. For centuries, the delta was occupied by large tracts of wetlands and there were frequent floods.  \u003C/p>\u003Cp>Starting in the 16th century, areas of the marsh began to dry up and rainfed crops were introduced. In the 19th century, irrigation canals were built. The demolition of the walls of Barcelona, between 1853 and 1873, with the rapid occupation of l'Eixample and the growing industrialisation of the area, to which new communication infrastructures such as the railway were added, accentuated the proto-industrialisation of the delta. An airfield was established in 1916 and a free port two years later. The port of Barcelona and El Prat Airport are the two polarities that have conditioned the territorial and economic development of the delta environment and, by extension, of the great metropolis. These transport nodes show the social conflict generated by the expansion of these infrastructures within the natural environment. \u003C/p>\u003Ch3>An area of great environmental value \u003C/h3>\u003Cp>Today the city of Barcelona is fully committed to the current regeneration of its urban model, which incorporates the challenges of the future in a densely built area and which urgently has to address the improvement of what already exists: people's health, the aging of the population and buildings, access to decent housing, socio-spatial justice, the change in mobility, tourism monoculture, urban metabolism and, above all, how to deal with the climate emergency. In this sense, the Delta del Llobregat is paradigmatic: it has suffered the irreversible substitution of natural spaces (wetlands, vacant lots, and other habitats, with the communities that inhabit them), by infrastructures and urbanised areas, so that its environmental balance has been distorted.  \u003C/p>\u003Cp>Manifesta 15 Barcelona Metropolitana will put into play these casuistries that often lead to that false dilemma between sustainability or modernisation. Artists and groups from different backgrounds have made these confrontations visible and proposed alternative sustainable solutions for the environment without undermining the modernisation requirements of certain urban infrastructures that allow us to connect with the rest of the world. It is urgent to be able to make visible the fact that any transformation in this area, due to its condition as an integral and habitable part of the metropolitan city, requires sustainability and the correction of the dysfunctions of the current models that ignore ecological criteria. \u003C/p>\u003Cp>Metropolitan Barcelona is redefining its relationship with the sea through multiple projects to regain a territory that was boldly recreated during the 1980s, but which has gradually been subjected to great pressure from the market and the tourism. A process that derives from the enormous success that the city experienced and that today is trying to recover, not only from the social perspective of the neighbourhoods, but also from an environmental approach to the pressing climate emergency. \u003C/p>\u003Cp>In this paradigm shift, two key points are the deltas of the two rivers, the Llobregat and the Besòs, which flank the city, and which have been channelled and pressured due to the multiple development plans that dispute the valuable adjoining land. In the epicentre of this territory, an architectural and landscape jewel of the modern movement that survives and capitalises on this interesting debate still stands: La Ricarda or Casa Gomis. \u003C/p>\u003Cp>In the Llobregat, large-scale economic and ecological issues collide, presenting challenges on a national level. The debate revolves around navigating diverse interests. First, in terms of infrastructure,\u003Cstrong> \u003C/strong>balancing plans for the airport and port expansion with preserving fragile wetlands. Second, on land use, reconciling the resilient agricultural park with the economic engine of the free zone and city airport. \u003C/p>\u003Cp>These projects spark heated and politicised discussions, prompting a reevaluation of our urban model in a global context. The debate goes beyond abstract threats of neocolonialism; it delves into the specific realities of consumption and the implications for our nation and planet. \u003C/p>\u003Cp>Casa Gomis, a privately owned villa in El Prat de Llobregat, serves as the starting point for exploring this theme of \"Balancing Conflicts\". Built around principles of rationalist architecture, it stands amidst the natural landscape, reflecting the tension between human development and natural preservation. \u003C/p>\u003Ch3>Casa Gomis  \u003C/h3>\u003Cp>Casa Gomis, also known as La Ricarda, is a family house located in a protected natural environment which is next to the Josep Tarradellas Barcelona-El Prat Airport. Built between 1947 and 1963 by the renowned architect Antoni Bonet Castellana in close collaboration with its owners, Inés Bertrand Mata and Ricardo Gomis Serdañons, the house follows the principles of Rationalist architecture, known in Northern Europe as Modernist architecture. It was declared a Cultural Interest Asset in 2021. \u003C/p>\u003Cp>Ricardo Gomis was a founding member of Discòfils Associació Pro Música (1935) and a member of CLUB49, a collective made up of people from the cultural and avant-garde scene of Barcelona. Joan Prats Vallés was responsible for promoting and supporting most of the projects, carried out by artists such as Antoni Tàpies, Joan Miró and Joan Brossa. He was also the contact person for all the international artists who came to Barcelona during the post-war period. Consequently, Casa Gomis was a place of meeting, exchange and experimentation, until CLUB49 disappeared shortly after the death of Joan Prats Vallés. Casa Gomis is immersed in a large plot of land in front of the La Ricarda pond and the Mediterranean Sea, surrounded by a pine forest. Linking to the theme of \u003Ci>Balancing Conflicts\u003C/i>, Casa Gomis and its surrounding areas are subject to the ongoing dialogue concerning the expansion of industries and the protection of the natural environment, as well as the house itself.  \u003C/p>","\u003Ch2>3. Clúster\u003Ci> Equilibrant conflictes\u003C/i> \u003C/h2>\u003Cp>Seu principal: Casa Gomis/La Ricarda \u003C/p>\u003Ch3>SOSTENIBILITAT O MODERNITZACIÓ? \u003C/h3>\u003Ch3>Context i història \u003C/h3>\u003Cp>La zona del Delta del Llobregat, on s’ubiquen el Prat, l’Hospitalet i una part de Barcelona, ​​és una peça inseparable del continu urbà central de la metròpoli i és entesa com una unitat geogràfica i ambiental. Com tots els grans deltes del Mediterrani, té un gran valor ecològic. Durant segles, el delta va estar ocupat per grans extensions d’aiguamolls que patien freqüents inundacions. \u003C/p>\u003Cp>A partir del segle xvi, les zones del pantà van començar a assecar-se i es van introduir conreus de secà. Al segle xix es van construir canals de reg. L’enderrocament de les muralles de Barcelona, ​​entre 1853 i 1873, amb la ràpida ocupació de l’Eixample i la creixent industrialització de la zona, a la qual es van afegir noves infraestructures de comunicació com el ferrocarril, van accentuar la protoindustrialització del delta. El 1916 es va establir un camp d’aviació i dos anys més tard un port lliure. El port de Barcelona i l’aeroport del Prat són les dues polaritats que han condicionat el desenvolupament territorial i econòmic de l’entorn del delta i, per extensió, de la gran metròpoli. Aquests nodes de transport mostren la conflictivitat social generada per l’expansió d’aquestes infraestructures dins del medi natural. \u003C/p>\u003Ch3>Una zona de gran valor ambiental \u003C/h3>\u003Cp>Avui la ciutat de Barcelona està plenament compromesa amb la regeneració actual del seu model urbà, que incorpora els reptes de futur en una zona densament edificada i que ha d’abordar amb urgència la millora del que ja existeix: la salut de les persones, l’envelliment de la població i els edificis, accés a un habitatge digne, justícia socioespacial, canvi de mobilitat, monocultiu turístic, metabolisme urbà i, sobretot, com afrontar l’emergència climàtica. En aquest sentit, el Delta del Llobregat és paradigmàtic: ha patit la substitució irreversible dels espais naturals (aiguamolls, solars i altres hàbitats, amb les comunitats que els habiten), per infraestructures i espais urbanitzats, de manera que el seu equilibri ambiental ha estat distorsionat. \u003C/p>\u003Cp>Manifesta 15 Barcelona Metropolitana posarà en joc aquestes casuístiques que sovint condueixen a aquest fals dilema entre sostenibilitat o modernització. Artistes i col·lectius de diferents procedències han fet visibles aquests enfrontaments i han proposat solucions alternatives sostenibles per al medi ambient sense perjudicar les exigències de modernització de determinades infraestructures urbanes que ens permeten connectar-nos amb la resta del món. És urgent poder visibilitzar el fet que qualsevol transformació en aquest àmbit, per la seva condició de part integrant i habitable de la ciutat metropolitana, requereix la sostenibilitat i la correcció de les disfuncions dels models actuals que ignoren criteris ecològics. \u003C/p>\u003Cp>La Barcelona metropolitana està redefinint la seva relació amb el mar a través de múltiples projectes per recuperar un territori que es va regenerar amb força durant la dècada dels vuitanta, però que a poc a poc ha estat sotmès a una gran pressió del mercat i del turisme. Un procés que es deriva de l’enorme èxit que va viure la ciutat i que avui intenta recuperar, no només des de la perspectiva social dels barris, sinó també des d’una aproximació mediambiental a la urgent emergència climàtica. \u003C/p>\u003Cp>En aquest canvi de paradigma, dos punts clau són els deltes dels dos rius, el Llobregat i el Besòs, que delimiten la ciutat, i que han estat canalitzats i amenaçats a causa dels múltiples plans urbanístics que es disputen el valuós terreny adjacent. A l’epicentre d’aquest territori encara perviu una joia arquitectònica i paisatgística del moviment modern que encarna i capitalitza aquest interessant debat: la Casa Gomis, també coneguda com La Ricarda. \u003C/p>\u003Cp>A la zona del Llobregat hi trobem grans conflictes econòmics i ecològics que plantegen reptes a nivell nacional. El debat gira al voltant d’interessos diversos. En primer lloc, en termes d’infraestructures, cal equilibrar els plans d’ampliació de l’aeroport i del port amb la preservació dels fràgils aiguamolls. En segon lloc, sobre l’ús del sòl, la qüestió és com conciliar el parc agrícola amb el motor econòmic de la zona franca i l’aeroport de la ciutat. \u003C/p>\u003Cp>Aquests projectes desencadenen debats acalorats i polititzats, que han provocat una reavaluació del nostre model urbà en un context global. El debat va més enllà de les amenaces abstractes del neocolonialisme i aprofundeix en les realitats específiques del consum i les implicacions per a la nostra nació i el nostre planeta. \u003C/p>\u003Cp>La Casa Gomis, una casa de propietat privada al Prat de Llobregat, serveix de punt de partida per explorar aquesta temàtica d’\u003Ci>Equilibrant conflictes. \u003C/i>Construïda seguint els principis de l’arquitectura racionalista, es troba enmig d’un paratge natural, de manera que reflecteix la tensió entre el desenvolupament humà i la conservació natural. \u003C/p>\u003Ch3>Casa Gomis\u003C/h3>\u003Cp>Ricarda, és una casa familiar situada en un entorn natural protegit que es troba al costat de l’aeroport Josep Tarradellas de Barcelona-El Prat. Construïda entre 1947 i 1963 pel reconegut arquitecte Antoni Bonet Castellana en estreta col·laboració amb els seus propietaris, Inés Bertrand Mata i Ricardo Gomis Serdañons, la casa segueix els principis de l’arquitectura racionalista, coneguda al nord d’Europa com a arquitectura moderna. Va ser declarada Bé d’Interès Cultural l’any 2021. \u003C/p>\u003Cp>Ricardo Gomis va ser membre fundador de Discòfils Associació Pro Música (1935) i membre del CLUB49, un col·lectiu format per persones del panorama cultural i avantguardista de Barcelona. Joan Prats Vallés va ser l’encarregat de promoure i donar suport a la majoria dels projectes, realitzats per artistes com Antoni Tàpies, Joan Miró i Joan Brossa. També va ser la persona de contacte de tots el conjunt d’artistes internacionals que van venir a Barcelona durant la postguerra. Així doncs, la Casa Gomis va ser un lloc de trobada, intercanvi i experimentació, fins que el CLUB49 va desaparèixer poc després de la mort de Joan Prats Vallés. La Casa Gomis es troba situada en una gran parcel·la davant de la bassa de la Ricarda i el mar Mediterrani, envoltada d’una pineda. Vinculada al tema d’\u003Ci>Equilibrant conflictes\u003C/i>, la Casa Gomis i el seu entorn estan subjectes al diàleg permanent sobre l’expansió de les indústries i la protecció del medi natural, així com de la casa mateixa. \u003C/p>",{"id":1431,"__component":1393,"i18n_richtext_en":1432,"i18n_richtext_es":19,"i18n_richtext_ca":1433,"view_option":1396},1652,"\u003Ch3>Gustavo Gili \u003C/h3>\u003Cp>The former Gustavo Gili publishing house is currently Manifesta 15 Barcelona Metropolitana’s headquarters in L’Esquerra de l’Eixample district, Barcelona.  \u003C/p>\u003Cp>A remarkable example of Catalan architecture from the 1950s, the building was designed by the architects Joaquim Gili and Francesc Bassó, members of \u003Ci>Grup R\u003C/i>. The publishing house \u003Ci>Editorial Gustavo\u003C/i> \u003Ci>Gili \u003C/i>is well-known for being the first to publish authors in the field of visual culture, such as John Berger, Milton Glaser, Rem Koolhaas, Bruno Munari, Joan Fontcuberta and Ellen Lupton, in Spanish. \u003C/p>\u003Cp>This architectural work, that follows a rationalist style (a movement focused on neatly combining design and functionality), was awarded the FAD Prize for architecture in 1961. Used as a publishing house until 2016, the building is characterised by the use of symmetry and geometrically defined structures with low ornamentation. \u003C/p>\u003Cp>The former Gustavo Gili publishing house, in Barcelona, will function as the nucleus of Manifesta 15, presenting archival projects which focus on the colonial past and its repercussions, the counter-culture movements during the rise and fall of the Francoist dictatorship and the Catalan educational renewal histories. Currently a wide array of pre-biennial events organised by Manifesta 15 have been taking place in the Gustavo Gili.  \u003C/p>","\u003Ch3>Gustavo Gili \u003C/h3>\u003Cp>L’antiga editorial Gustavo Gili és actualment la seu de Manifesta 15 Barcelona Metropolitana al barri de l’Esquerra de l’Eixample, a Barcelona. \u003C/p>\u003Cp>Exemple notable de l’arquitectura catalana dels anys cinquanta, l’edifici va ser dissenyat pels arquitectes Joaquim Gili i Francesc Bassó, membres del Grup R. L’editorial Gustavo Gili és coneguda per ser la primera que va publicar autors en l’àmbit de la cultura visual, com John Berger, Milton Glaser, Rem Koolhaas, Bruno Munari, Joan Fontcuberta i Ellen Lupton, en castellà. \u003C/p>\u003Cp>Aquesta obra arquitectònica, que segueix un estil racionalista (un moviment centrat a combinar perfectament disseny i funcionalitat), va ser guardonada amb el Premi FAD d’Arquitectura l’any 1961. Utilitzat com a editorial fins al 2016, l’edifici es caracteritza per l’ús de la simetria i unes estructures geomètriques definides, amb poca ornamentació. \u003C/p>\u003Cp>L’antiga editorial Gustavo Gili de Barcelona ​​funcionarà com a nucli de Manifesta 15, i acollirà projectes d’arxiu centrats en el passat colonial i les seves repercussions, els moviments contraculturals durant l’ascens i la caiguda de la dictadura franquista i històries de renovació pedagògica catalana. Actualment a l’edifici de la Gustavo Gili s’han dut a terme un ampli ventall d’actes prebiennals organitzats per Manifesta 15. \u003C/p>",{"id":1435,"__component":1393,"i18n_richtext_en":1436,"i18n_richtext_es":19,"i18n_richtext_ca":1437,"view_option":1396},1651,"\u003Ch3>Connecting the Metropolitan Region by a global collaboration of biennials \u003C/h3>\u003Cp>The biennial programme in each of the participating metropolitan cities will include interventions, exhibitions and projects in emblematic venues proposed by the local artistic representative (the Manifesta 15 + programme). In dialogue with this programme, Manifesta 15 has invited leading international biennials and cultural organisations to collaborate in co-producing or showcasing prominent works from their recent commissions. In addition to the array of venues per metropolitan city, each city will also host a festive Focus Week spanning across the 12-week biennial period. The Focus Week will celebrate the local cultural wealth of each city and will include a specific public programme commissioned for Manifesta 15.  \u003C/p>\u003Cp>Within the three clusters (\u003Ci>Imagining Futures\u003C/i>, \u003Ci>Cure and Care\u003C/i> and \u003Ci>Balancing Conflicts\u003C/i>), Manifesta 15 has extended invitations to 11 Metropolitan cities to collaborate in addressing pressing questions. The aim is to employ the model of decentralisation positively, involving the reallocation of alternative artistic venues, implementing alternative decision-making processes and examining their own history. \u003C/p>\u003Cp> For these Metropolitan collaborations, Manifesta 15 focusses on the connection with international biennials, of which there are more than 140 available globally, to instigate a collaborative structure. Instead of travelling to each biennial, Manifesta 15 aims to reduce art tourism and carbon footprint by co-producing works together and inter-acting more in-between biennials. Manifesta 15 has started to work with more than 10 different biennials across the world to collaborate on the exchanges of works and co-developing projects together. We are expecting more to join in the upcoming months.   \u003C/p>\u003Ch3>Manifesta 15 Barcelona Metropolitana + \u003C/h3>\u003Cp>The Manifesta 15 + programme is the artistic programme across the metropolitan region conceptualised and executed by the artistic representatives of the metropolitan municipalities. The interdisciplinary programme is aimed to amplify the metropolitan perspective of Manifesta 15 and showcase the wealth and diversity of culture in the region. In addition, the programme will add more cohesiveness to the Manifesta 15 metropolitan programme which will be consolidated in each focus week.  \u003C/p>\u003Ch3>Education and Mediation programme \u003C/h3>\u003Cp>Having the principle of mediation at its core, the Education and Mediation programme aims at making the biennial respond to the interests and needs of non-professional audiences, creating spaces in contemporary culture(s) where more people recognise themselves. The programme goes beyond conventional institutional categories and proposes projects with a foreseen legacy, that combine research, artistic practice, pedagogy, mediation and community work. It can be described as educational, curatorial, or artistic, yet they are always developed through a collaborative process and owned by all involved parties.  \u003C/p>\u003Cp>The Education and Mediation programme evolves from a collaborative research process shaped by encounters with various local actors. This research delves into previously overshadowed or overlooked aspects of local educational and cultural histories and practices.  \u003C/p>","\u003Ch3>Connectar la regió metropolitana mitjançant una col·laboració global de biennals \u003C/h3>\u003Cp>La programació de la biennal de cadascuna de les ciutats metropolitanes participants inclourà intervencions, exposicions i projectes en espais emblemàtics proposats pel grup de representants artístics locals (el programa Manifesta 15 +). En diàleg amb aquest programa, Manifesta 15 ha convidat les principals biennals internacionals i organitzacions culturals a col·laborar en la coproducció o la presentació d’obres destacades més recents dels seus programes. A més de la varietat de seus dins de cada ciutat metropolitana, cada nucli urbà també acollirà una Focus Week (setmana temàtica) festiva que s’estén al llarg del període de dotze setmanes de la biennal. La Focus Week celebrarà la riquesa cultural local de cada ciutat i inclourà un programa públic específic encarregat per Manifesta 15. \u003C/p>\u003Cp>Dins dels tres clústers (\u003Ci>Imaginant futurs\u003C/i>, \u003Ci>Cuidar i ser cuidats\u003C/i> i \u003Ci>Equilibrant conflictes\u003C/i>), Manifesta 15 ha fet extensives les invitacions a aquestes onze ciutats metropolitanes per col·laborar a l’hora d’abordar qüestions urgents. L’objectiu és emprar positivament el model de descentralització, reassignant espais artístics alternatius, implementant processos alternatius de presa de decisions i examinant la seva pròpia història. \u003C/p>\u003Cp>Per a aquestes col·laboracions metropolitanes, Manifesta 15 pretén connectar-se amb algunes biennals internacionals (n’hi ha més de 140 a nivell mundial) per fomentar una estructura col·laborativa. En lloc de viatjar a cada biennal, Manifesta 15 pretén reduir el turisme artístic i la petjada de carboni mitjançant la coproducció d’obres en col·laboració i amb la interacció entre les biennals. Manifesta 15 ha començat a treballar amb més de deu biennals diferents d’arreu del món per col·laborar en l’intercanvi d’obres, coproduir i desenvolupar projectes conjuntament. Esperem que se n’hi sumin més en els propers mesos. \u003C/p>\u003Ch3>Manifesta 15 Barcelona Metropolitana + \u003C/h3>\u003Cp>El programa Manifesta 15 + és el programa artístic de tota la regió metropolitana conceptualitzat i executat pels representants artístics dels municipis metropolitans. El programa interdisciplinari té com a objectiu ampliar la perspectiva metropolitana de Manifesta 15 i mostrar la riquesa i la diversitat de la cultura de la regió. A més, el programa aportarà més cohesió al programa metropolità de Manifesta 15 que es consolidarà en cada Focus Week. \u003C/p>\u003Ch3>Programa d’educació i mediació \u003C/h3>\u003Cp>Tenint com a eix el principi de mediació, el programa d’Educació i Mediació pretén que la biennal respongui als interessos i necessitats de públics no professionals, creant espais de cultura(s) contemporània(es) per arribar a més persones. El programa va més enllà de les categories institucionals convencionals i proposa projectes que combinen recerca, pràctica artística, pedagogia, mediació i treball comunitari. Es pot descriure com a educatiu, curatorial o artístic, però sempre es desenvolupa mitjançant un procés col·laboratiu i les activitats són propietat de totes les parts implicades. \u003C/p>\u003Cp>El programa d’Educació i Mediació evoluciona a partir d’un procés de recerca col·laboratiu format per trobades amb diversos agents locals. Aquesta investigació aprofundeix en aspectes anteriorment eclipsats o passats per alt de les històries i pràctiques educatives i culturals locals. \u003C/p>",{"id":753,"__component":1399,"i18n_string_en":1439,"i18n_string_es":19,"i18n_string_ca":1440},"\"Fora per fer escola\" Research on Catalan Educational Renewal Movements ","«Fora per fer escola» Recerca sobre els Moviments de Renovació Educativa Catalana ",{"id":1442,"__component":1393,"i18n_richtext_en":1443,"i18n_richtext_es":19,"i18n_richtext_ca":1444,"view_option":1396},1653,"\u003Cp>For Manifesta 15, the research delves into the educational renewal movements in Catalonia, occurring both before and after Franco's dictatorship. These diverse histories of Catalan pedagogical contexts play a crucial role in comprehending the impact of education and pedagogy on eco-social transformations.  \u003C/p>\u003Cp>The research departed from Escola del Mar, a public school situated in a wooden pavilion on Barceloneta beach. Established in the early 1920s, it served as a mixed school for children from working-class families, embodying a hierarchical yet democratic model. Following the pedagogical project of learning with joy, the classes predominantly took place outdoors and included a lot of time dedicated to free play and swimming.  \u003C/p>\u003Cp>Escola del Mar, alongside with Escola de Bosc, and Vil·la Joana - the first special education school in Barcelona - opened in the first decades of the 20th century and still work today. These schools, a direct legacy of Escola Nova (Catalan New School), fought to enable access to education for children from working class families, while at the same time considering nature as a space for learning and care.  \u003C/p>\u003Cp>Additionally, the research delves into the histories of Batec teachers collective (1930s) and Escoles en Lluita, a social movement in Barcelona in the late 1970s that sought to establish alternative educational spaces emphasising the significance of social justice, community organising, and activism as integral parts of the educational process.  \u003C/p>\u003Cp>Four Spanish collectives and individual artists were invited to conduct the research through these (existing) archives. The collaborative agency INLAND explores the histories of Escola de Bosc. The Collective Massa Salvatge focuses their research on the work of Batec, a collective of teachers who envisioned a different school that is “more satisfying to live in and prepares a more humane and supportive generation.” Anaïs Florin gathers an archive of Escoles en Lluita, and Barcelona-based DIVERSORIUM project engages with the archives of Vil·la Joana, a municipal school in Collserola Parc that hosted classes for students with physical and mental diversities under the name of “abnormal education.” The research of the collectives is currently being activated through a public programme of workshops, gatherings, reading groups and performances, and will result in artistic projects presented in the biennial. \u003C/p>\u003Cp>During the biennial,\u003Ci> Fora per fer escola\u003C/i> will take on various shapes such as exhibitions, artistic projects, publications, professional networks, physical spaces, mediation, and public programmes.  \u003C/p>\u003Ch3>Manifesta 15 Artistic Team- a new form of de-centralised curation \u003C/h3>\u003Cp>As part of the decentralised methodology of this edition, Manifesta 15 is based on the inclusion of a wide array of cultural practitioners each with their professional background.  Together with the Manifesta 15 team and under the artistic direction of Hedwig Fijen, the artistic team activates, develops and produces part of this large-scale biennial project. This collective bottom-up, democratic approach started with the appointment of some key urban specialists who worked with the Manifesta 15 team on the basic parameters of the model of the biennial critically addressing and imagining the urgent social-ecological challenges whilst helping to shape perspectives of how to face the future of the region. In this perspective, regional urban specialist Josep Bohigas and Sergio Pardo, the first Creative Mediator played a crucial role. \u003C/p>\u003Cp>The second phase was identified by the appointment of 10 collectives both by the director and the education team to work on topics such as climate crisis and the impact the crisis has on the sea, drought, health and wellbeing, as well as a protection of existing ecosystems. Thanks to these researchers the conceptual framework was shaped by their findings. Additionally, Manifesta 15 was interested in exploring the healing processes which are related to the impact of the colonial histories, the counter-culture movements during the rise and fall of the Francoist dictatorship and the Catalan educational renewal model. These archives will be hosted in the so-called ‘brains’ of the former publishing house Gustavo Gili, creating a historically relevant and urgently accessible genealogy of the last 100 years of Catalan history. \u003C/p>\u003Cp>Manifesta 15’s Artistic Team is comprised of Portuguese Artistic Creative Mediator Filipa Oliveira, as well as eleven artistic representatives from the eleven metropolitan cities: Ariadna Amat Garcia (Badalona), Penélope Cañizares Bellido (Cornellà de Llobregat), Cristina Castells Tort (El Prat de Llobregat), Raquel Morcillo (Granollers), Mireia Mascarell (L’Hospitalet de Llobregat), Gisel Noè (Mataró), Óscar Abril Ascaso (Sabadell), David Linares Ramos (Sant Adrià de Besòs), Joan González Cano (Santa Coloma de Gramenet), Andreu Dengra Carayol, (Sant Cugat del Vallès), Imma Vilches García (Terrassa), under the guidance of Manifesta 15’s director Hedwig Fijen. The artistic representatives are playing a key role in the mediation of the local audiences and composition of the programme for the Focus Week when a specially designed mobile structure attends each of the cities. In addition to the transdisciplinary programme that will be brought together by the Manifesta 15 Artistic Team, institutional collaborations with key cultural organisations in Barcelona are being developed. \u003C/p>","\u003Cp>Per a Manifesta 15, la recerca aprofundeix en els moviments de renovació educativa a Catalunya, tant abans com després de la dictadura franquista. Aquestes històries diverses dels contextos pedagògics catalans tenen un paper crucial per entendre l’impacte de l’educació i la pedagogia en les transformacions ecosocials. \u003C/p>\u003Cp>La investigació va sorgir de l’Escola del Mar, una escola pública situada en un pavelló de fusta a la platja de la Barceloneta. Fundada a principis dels anys vint del segle passat va servir com a escola mixta per a infants de famílies obreres, encarnant un model jeràrquic però democràtic. Seguint el projecte pedagògic d’aprendre amb alegria, les classes es feien majoritàriament a l’aire lliure i incloïen una gran part del temps dedicat al joc lliure i a la natació. \u003C/p>\u003Cp>L’Escola del Mar, juntament amb l’Escola de Bosc i Vil·la Joana –la primera escola d’educació especial de Barcelona– es va inaugurar a les primeres dècades del segle xx. Aquestes escoles, llegat directe de l’Escola Nova, van lluitar per permetre l’accés a l’educació dels infants de famílies obreres, alhora que consideraven la natura com un espai d’aprenentatge i cura. \u003C/p>\u003Cp>A més, la recerca s’endinsa en les històries del col·lectiu de mestres Batec (anys trenta del segle xx) i Escoles en Lluita, un moviment social a Barcelona de finals dels setanta que pretenia establir espais educatius alternatius emfatitzant la importància de la justícia social, l’organització comunitària i l’activisme com a parts integrants del procés educatiu. \u003C/p>\u003Cp>Es va convidar quatre col·lectius espanyols i artistes individuals a dur a terme la recerca a través d’aquests arxius existents. El col·lectiu INLAND explora les històries de l’Escola de Bosc. Massa Salvatge centra la seva recerca en el treball de Batec, un col·lectiu de mestres que imaginaven una escola diferent, «més satisfactòria per viure-hi i que prepara una generació més humana i solidària». Anaïs Florin reuneix un arxiu d’Escoles en Lluita, i el projecte DIVERSORIUM de Barcelona col·labora amb l’arxiu de Vil·la Joana, una escola municipal del parc de Collserola que va acollir classes per a alumnes amb diversitat física i psíquica sota el nom d’«educació anormal». Actualment, la recerca dels col·lectius s’activa a través d’un programa públic de tallers, tertúlies, grups de lectura i actuacions, i donarà lloc a projectes artístics presentats durant la biennal. \u003C/p>\u003Cp>Durant Manifesta 15, Fora per fer escola adoptarà formes diverses com exposicions, projectes artístics, publicacions, xarxes professionals, espais físics, mediació i programes públics.  \u003C/p>\u003Ch3>Equip artístic de Manifesta 15: una nova forma de comissariat descentralitzat \u003C/h3>\u003Cp>Com a part de la metodologia descentralitzada d’aquesta edició, Manifesta 15 basa el seu projecte en la inclusió d’un ampli ventall de professionals de la cultura, tothom amb la seva formació professional. Juntament amb l’equip de Manifesta 15 i sota la direcció artística de Hedwig Fijen, l’equip artístic activa, desenvolupa i produeix part d’aquest projecte biennal de gran envergadura. Aquest enfocament democràtic col·lectiu de baix a dalt va començar amb el nomenament d’especialistes urbanistes clau que van treballar amb l’equip de Manifesta 15 en els paràmetres bàsics del model de la biennal abordant i imaginant críticament els reptes socioecològics urgents alhora que ajudaven a configurar perspectives de com afrontar el futur de la regió. Seguint aquest principi, l’arquitecte i urbanista Josep Bohigas i Sergio Pardo, el primer mediador creatiu, van tenir-hi un paper crucial. \u003C/p>\u003Cp>La segona fase va començar amb el nomenament de deu col·lectius tant per part del director com de l’equip educatiu per treballar temes com la crisi climàtica i l’impacte que la crisi té en el mar, la sequera, la salut i el benestar, així com la protecció dels ecosistemes. Gràcies a aquest col·lectiu de recerca i a les seves conclusions, es va poder configurar el marc conceptual. A més, Manifesta 15 va explorar els processos curatorials relacionats amb l’impacte de les històries colonials, els moviments contraculturals durant l’ascens i la caiguda de la dictadura franquista i el model de renovació educativa catalana. Aquests arxius estaran allotjats en l’anomenat ‘cervell’ de l’antiga editorial Gustavo Gili, tot creant una genealogia històricament rellevant i d’urgència accessible dels darrers cent anys d’història de Catalunya. \u003C/p>\u003Cp>L’equip artístic de Manifesta 15 està format per la mediadora creativa artística portuguesa Filipa Oliveira, així com per onze representants de les onze ciutats metropolitanes: Ariadna Amat Garcia (Badalona), Penélope Cañizares Bellido (Cornellà de Llobregat), Cristina Castells Tort (El Prat de Llobregat), Raquel Morcillo (Granollers), Mireia Mascarell (L’Hospitalet de Llobregat), Gisel Noè (Mataró), Óscar Abril Ascaso (Sabadell), David Linares Ramos (Sant Adrià de Besòs), Joan González Cano (Santa Coloma de Gramenet), Andreu Dengra Carayol (Sant Cugat del Vallès), Imma Vilches García (Terrassa), amb l’acompanyament de la directora de Manifesta 15 Hedwig Fijen. Aquest grup de representants artístics té un paper clau en la mediació dels públics locals i en la composició del programa de la Focus Week, quan una estructura mòbil especialment dissenyada s’instal·la a cadascuna de les ciutats. A més del programa transdisciplinari que reunirà l’Equip Artístic de Manifesta 15, s’estan desenvolupant col·laboracions institucionals amb organitzacions culturals clau de Barcelona.\u003C/p>",{"id":1446,"robots":19,"image":1447,"titles":1448,"descriptions":1452,"keywords":1456},342,{"data":19},{"id":1449,"i18n_string_en":1450,"i18n_string_es":19,"i18n_string_ca":1451},2639,"Conceptual Framework Manifesta 15 Barcelona Metropolitana","Marc conceptual Manifesta 15 Barcelona Metropolitana",{"id":1453,"i18n_string_en":1454,"i18n_string_es":19,"i18n_string_ca":1455},2640,"Manifesta 15 Barcelona Metropolitana addressed global issues like climate change and inequalities through art and architecture.","Manifesta 15 Barcelona Metropolitana aborda qüestions globals com el canvi climàtic i les desigualtats a través de l'art i l'arquitectura.",{"id":1457,"i18n_string_en":1458,"i18n_string_es":19,"i18n_string_ca":1459},332,"Manifesta 15 Barcelona Metropolitana\nconceptual framework\nclimate change\nart\narchitecture\nculture\ninequalities","Manifesta 15 Barcelona Metropolitana\nmarc conceptual\ncanvi climàtic\nart\narquitectura\ncultura\ndesigualtats",{"pagination":1461},{"page":62,"pageSize":1081,"pageCount":62,"total":62},1785759750533]